Category: FYI

Antique Shops Threaten to Leave NY and Other News

According to BusinessWeek, antique dealers are threatening to leave New York over the ivory ban.  Not that they want brand new fresh ivory, they have lots of antique ivory that will be reduced to next to nothing if they don’t do something about the latest state laws. (read more).

Aside from writing fiction (Samuel Shinpike – soon to be a series), we’ve been working with casein/galalith and have been pleased with the results.  We’ll be offering cabs here soon on our products page.

We’ve also been focusing in on scrimshaw techniques on our newsletter, so far creating  fur and whiskers.  We’ll soon be testing out cattle horn often used for powder horns as well as further focus on techniques to create finer scrimshaw.

You can get these exclusive articles by signing up for our newsletter which comes out approximately weekly.  We don’t spam, and we only want people who are genuinely interested in creating beautiful scrimshaw on alternative and eco-friendly materials. You can sign up below:

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Posted in FYI

Ivory Ban News: Ivory (including mammoth ivory) Illegal for Sale in New Jersey

Ivory Ban News Update:

Sadly, mammoth ivory got the ax as well as elephant ivory. This same knee-jerk reaction may hit New York as well. see MongaBay for more…

You can’t hide an elephant (or ivory clad bagpipes) under your kilt and cross the border…

US Fish and Wildlife confiscated two bagpipes from a pair of 17-year-olds who were to compete on an international level. Ivory harvested since 1976 is banned in the U.S. … – read more.

Posted in FYI

Bone – An Abundant Ivory Alternative for Scrimshaw

Scrimshaw can be performed on any hard material that will hold a contrasting pigment.  Scrimshaw on bone handled knives as well as bone cabochons or beads are popular alternatives to ivory, and there are plenty of materials out there.

Bone is a naturally porous material which will take on moisture and oils as well as expand and contract with the variations in temperature and humidity. It is best to either find a stabilized source or to stabilize it yourself before you take the time to ply your craft.

Stabilized bone can be found in most knifemaker supply houses as either cow bone, camel bone or in some cases other “bush meat” bone that has been cleaned and preserved.

You can find blank material to work on in several places depending on your end product. Amazon has bone blank
bone knife scales from time to time, and there are also buffalo bone nut blanks often used in the luthier trade. You can sometimes find them oversized which works well for smaller knife handle material or for creating cabochons or inlay.

As to the material when it comes from the source, unless it clearly states that it has been or is stabilized, figure that it is not, and it will be porous.  There are several ways you can stabilize or seal them yourself, or you can re-ship them out to a stabilizing service – they often do the same for bone, antler, spalted wood, etc.

Stablilizing Bone for Scrimshaw – top coat:

  1. The first Method requires dry bone cut roughly or completely to the shape intended,
  • cyanoacrylate glue (super glue like Loctiteor Bob Smith 103 )
  • small paint brushes – don’t use good ones, get cheap ones you can throw away or use q-tips
  • Newspaper to cover the area you’ll be working on.
  • gloves
  • ventilation
  • eye protection

Coat the piece you intend to scrimshaw by squirting the glue on then coating the rest of the surface using the brush. Let the piece dry.

Once dry, sand it down lightly so it’s smooth. We tend to use 320 grit sandpaper then wipe off any dust and recoat it.  Second time we sand it we move up to a 600 grit and inspect it carefully.  Sometimes two coats is all you need to fill in any voids.  If it’s good, we work up to 3000 grit, then a polish with HUT wax and start to scrim.

 

bone blank slightly yellow
Stabilized bone after minwax vacuum immersion

Stabilizing Bone for scrimshaw – method 2: Immersion

We tried this using Minwax Wood Hardener and came up with useable but “antiqued” looking bone and tagua nut buttons.  They ended up with a yellowish patina.  In this method you’ll use a glass mason jar or ball jar with the vacuum type lid, you will be standing the jar upright and immersing your pieces in either the Minwax wood preservative or a mixture of acetone and duco cement as mentioned in http://www.artifactsguide.com/discus/messages/12/11427.html?1071787182

Either one should be done in a well ventilated area with no open flames sparks etc.  Realize also that any rubber or plastic (like the wine stopper and the lid) will disintegrate – wear gloves when removing it and discard appropriately.

I used a Vacu Vin, drilling a hole into the top of the metal ball jar lid that fit the stopper almost perfectly.

Jar mouth sealerAnother way to accomplish this would be to use a FoodSaver T03-0006-02P Regular-Mouth Jar Sealer which may last longer if you can remove it quickly enough.

Here’s a video of someone stabilizing some material similar to what we’ve just described:

https://www.youtube.com/watch?v=sx5BW-aAR1I

Here’s another one from another individual:

https://www.youtube.com/watch?v=-DfZXM2B51Q

Pre-stabilized bone can be found in cow, camel and giraffe, though many times it is died or “jigged” – where a pattern is cut into it to allow for a better grip. Texas KnifeMaker’s Supply has some nice supplies including cow,

 

 

Here are several links to knives you can scrimshaw. Most have bone handles from Amazon.com:

  •  Bone Handles Barlow
  • Magnum Damascus
  • Browning Folder

 

Quiet Sunday Morning Updates

Added a couple of pics to existing posts.

Buffalo scrimshaw on paper micarta in progressFinished Buffalo on Micarta next to quarter on left
The Buffalo on Paper Micarta is slowly ambling its way to completion as I experiment with textures. It is a medium that can capture lines far better than I first imagined, but it is still softer than ivory.

Update 5:00pm EDT  Decided to finish it off this afternoon after a frenzied camper dropoff.

Rose on Tagua Nut using Oil for the initial black and India Ink for the color. Test scribes below the rose
Added the final pic of the Tagua Nut Rose experiment, carefully inking the colors using India ink and a 000 brush. Like the effect but you have to be real careful with the ink.

Owl on Casein - finished
The “Merlyn’s Owl” is finished and the recipient is thrilled. Coated it with a final layer of Renaissance wax once it dried and sent it off.

 

Look into the comments section, too – have an inquiry for a husband and wife scrimshaw team that worked in Ohio in the 1970’s that an individual has asked about.  Preliminary search didn’t find them, hoping to get some pics of their work so we can put them up as a “Mystery Artist”.

The “Ivory Boom” of the Mid-1800’s

What better way to celebrate Independence Day than to write about the ingenuity of the U.S. inventors and things that can go boom?

So what do you get when you mix alcohol, testosterone, gambling and gunpowder? A saloon. Now ­ mix in spherical ivory alternatives that strike each other and what do you have? You have a crowded saloon.

In the mid-1800’s a $10,000 reward was raised by Phelan & Collander, one of the largest billiard ball manufacturers for the first usable ivory alternative. John Wesley Hyatt, most likely spurred by this, not only came up with an alternative, but also created processes that would create perfectly round billiard balls. (Site down for maintenance as of the writing of this article, see the “wayback machine” for an archived version of this)

Celluloid was one of the first plastics to be used in place of elephant ivory. The Hyatt Manufacturing Company created billiard balls that were similar to the size weight and resilience of their elephant ivory counterpart. Unfortunately the chemical composition of these new billiard balls had a couple of downsides: they were extremely flammable, exploding with the sound of a gunshot when a careless cigar or ash came in contact with them (there are stories of everyone in the saloon drawing their guns due to this fact), and they would form a paper thin skin that dust and dirt would adhere to. By mixing camphor in with the ground cellulose nitrate and adding heat, they were able to make a more stable compound.

Celluloid from this period was used to make many items that were popular in the day which tortois, ivory and wood were made of, including dolls, toys, handles for every conceivable item including razors, combs brushes and more. It was also useful as an alternative to ivory in the luthier trade.

Today, celluloid nitrate is still available but it is considered a hazardous material due to it’s flammable nature. You can find it in various forms from 0.020” thick to 0.25” thick.

It’s flashpoint is 165 degrees C (329 degrees F).

You can still get this material if you wish from Axiom, Inc.

http://www.axinc.net/Celluloid_Nitrate_Sheets_s/74.htm

Posted in FYI