Category: Projects

Scrimshaw projects both current and past will be chronicled here

Another Amazing Wood Artist – Paul Baker

Paul reached out to me with part of an interesting project he’s in the middle of: making cameras. These are late 18th century cameras, replica Victorian cameras as if from aproximately 1893. After sending me some pictures of his work and his want of some intricate scrimshaw, we conversed via email and worked out what he was envisioning. Thankfully, the graphic artist knew the fonts she had used for the cards he had printed – also using similar techniques for that period, and I was able to reproduce them on a piece of galalith. Being in California, any type of ivory is out of the question, but galalith was also from that period and being used for everything from an ivory alternative for hairbrushes and other sundry items to musical instruments, steering wheels and decorations for some of the first Ford cars. He was gracious enough to allow me some freedom on the design, the result is in the pictures below. This is part of a larger art installation he is working on, which I will elaborate on if he allows. It’s a fascinating idea that he is pouring his creative talents into with wonderful results. I’d have to say he is an excellent craftsman as well, and I look forward to seeing his final results. (continued…)

Nameplate and base of a camera under a belljar. Woodwork by Paul Baker, Scrimshaw by Andrew Perkins
Base of a camera under glass – a specimin from the life of Beauchamp A. Pettibone, Esq.
A camera similar to the one Paul Baker is creating (photo courtesy icollector.com)
A camera similar to one of several Paul Baker is recreating (photo courtesy icollector.com)
Paul Baker's version of Beauchamp's camera, materials used include  ribbon mahogany veneer, shagreen (sting ray skin leather), vintage drafting equipment. (all period correct to 19th C, especially the shagreen; was used to cover telescopes on clipper ships).
Paul’s camera, including ribbon mahogany veneer, shagreen (stingray leather), and some clever use of drafting equipment for pinpoint focusing, all period correct to the 19th century) Shagreen was used to cover telescopes on clipper ships.
Closeup of the shagreen and the focusing mechanism that "Beauchamp created".
Closeup of the shagreen and Beauchamp’s focusing mechanism.

Intrigued? It’s a fascinating project and history lesson, story and adventure all in one! Find out more by visiting his site at http://www.c-clampstudios.com/

New Commission for a Clavichord

Clavichord with scrimshaw nameplate It was a pleasure to create the nameplate for this clavichord. A clavichord was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The maker created this for his son, who is a classically trained musician. I’m hoping to get an MP3 sample of it soon and will attach it here.

Little Scrimshaws

Little Scrimshaws

Lady and Dragon scrimshawed into alt. ivory for a letter openerFamily illnesses and busy schedules keep me from larger works such as the “Lady and the Dragon” (or – as the iPhone tried to correct “Lady and Dragged on”…), but smaller scrimshaws for local venues can be dovetailed into a busy day.  Twenty minutes here, fifteen minutes there allows me to keep the muscle memory for post-holiday times when I may actually be able to devote more time to scrimshaw.

Continuing to work with ivory alternatives due to more states making mammoth ivory illegal to sell, I’m still finding galalith the closest material to ivory, though I am impressed with some of the other alternatives offered by http://guitarpartsandmore.com.   I have some of the cattle bone in the drawer waiting to try.  Hopefully in 2018 I’ll have the time to devote to finding the best way to seal it, there may be a way to use an ABS “slurry” to fill the gaps that I’m formulating, and will post my results once it’s completed.  Meanwhile, have a great holiday season, and feel free to email any questions to questions@scrimshaw.com.Available on Etsy.comG-Clef scrimshawed into alt ivory on walnut hair stick

Leopard in the Night – Initial Scrimming

Leopard-On-CowhornBeen so busy with gardening (and a gardening book) I haven’t had time to scrimshaw. Kept my eye out for materials, though, finding cow hooves (which I may give to the dog), then I ran across horn tips and decided it was time to do this piece.  Have to find a better pigment, but here it is so far:

Thinking the next one should be higher, though the same size. This will allow the whole scrimshaw to be seen at once, and will be somewhat easier to scrim.  During the process, I had taken a couple of pictures where in some cases it looked more like a bear than a leopard.

Starting a New Scrimshaw

Starting a New Scrimshaw

Galalith cabochon taped behind the image of a lighthouse
Galalith taped behind the image

 

Finally starting a new piece of scrimshaw!  It’s been awhile, and I needed something away from most of the electronics.  With the phone in my back pocket and turned off so I don’t accidentally dial anyone (“Sorry, I fat – er – fingered the phone and hit your number….”). I started the lighthouse that I really liked by Dennis Jarvis (see previous post).  Sadly the crashing waves to the left are off the picture, but I may take artistic license and create similar waves closer to the lighthouse itself.

I debated on whether or not to sketch it on, but with such a tight schedule I opted for the “Whaleman’s Way” – putting the “tooth” shaped piece of galalith behind the picture, securing it in place and piercing through the picture.  After a few more pieces I’ll probably sketch something on a piece and go totally freehand.

lighthouse image on paper, pierced through the lines into the galalith underneath
Pierced Lighthouse

It doesn’t take a lot of pressure to get through and make an indentation. As you do more pieces you get a feel for the right amount. Most of my stipple-dots are pretty even, thanks in part to the modified Coulter Precision scribe (via Etsy).  I’ve tried a steel point with another project I’m working on, though the length makes it difficult to do perpendicular dots with my current low-power microscope (if anyone wants to buy me an opti-visor for Christmas, I’ll gladly call you Santa!).

 

Lighthouse stippled onto galalith cabochon next to a quarter
Lighthouse initial phase completed.

Wiping away a small smear of oil paint revealed not only the lighthouse, but a small scratch that will become a distant cloud when I’m done.  That’s all for tonight, back to the 12-14 hour days I currently call my week.  Will post further as the lighthouse takes shape.

Clicking on the pictures will reveal them in full size.

 

2015-11-01

Scrimshaw lighthouse on galalith with tool to the right
Roof and lines darkened

Darkened in the roof and lines, added some initial shading to the building itself.  May continue on as it’s cold and wet outside, and I need to take a break from the computer today.  My hands are doing better after decorating 50+ cookies for my daughter’s school’s “Men Who Cook” event.  My wife (who is the owner of hilltowncookies.com) needed help since she baked the cookies along with her mom and her hands ache more than mine making the cookies themselves. Piping the decorative icing on the cookies took about four hours, but they came out great.

Lighthouse scrimshaw on galalith with a quarter to the right to show the scale
Added some shading and started in on the shoreline.

Added more shading this afternoon and worked in the wave at the edge.  Note to self: don’t make the horizon line during initial scrim – I could have had larger waves crashing if I hadn’t done that. This is going to be one of those pieces where I will go over the whole thing several times darkening areas to add more detail, then darkening other areas to balance it.  It’s a good piece to get my hand and eyes back in shape, since I have a couple of large pieces coming up. I’m still debating on lines, stipples or a combination on the large piece, and I still have the Kraken ogling me to my left, so when I finish this one, he’s next!

 

Finally done, on a faux leather 20″ necklace.  Added the clouds and the seagull, all done in stipple style with the exception of the initials.  Now: on to the Kraken!

Lighthouse Done
Subtle clouds in the background and the ever-present seagull. On a faux leather necklace.